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Robert Schumann was a German composer, pianist, and influential music critic of the Romantic era, born on June 8, 1810, in Zwickau, Saxony, Germany. He passed away on July 29, 1856, in Endenich, near Bonn, Prussia, Germany. Schumann is renowned particularly for his piano music, songs (lieder), and orchestral music. Many of his best-known piano pieces were written for his wife, the pianist Clara Schumann.
Schumann’s early years were marked by his father’s influence, who was a bookseller and publisher. He began his musical education at the age of six, studying the piano. In 1827, he came under the musical influence of Austrian composer Franz Schubert and the literary influence of German poet Jean Paul Richter. In the same year, he composed some songs.
Despite initially studying law at the University of Leipzig, Schumann’s passion for music prevailed. He studied the piano seriously with Friedrich Wieck, Clara’s father, and eventually married Clara despite Wieck’s opposition2. Schumann’s early works were mainly piano pieces, including the large-scale “Carnaval” (1834–1835). He co-founded the “Neue Zeitschrift für Musik” (New Musical Journal) in 1834 and edited it for ten years, contributing significantly to music criticism.
His compositions include the “Piano Concerto in A Minor, Op. 54,” “Symphony No. 1 in B-flat Major,” and song cycles such as “Frauenliebe und -leben” and “Dichterliebe.” Schumann turned to orchestral music in 1841, chamber music and choral works in the following years, and his wife Clara premiered many of his works, including the Piano Concerto.
Schumann’s life was troubled by mental health issues, which led to his attempted suicide in 1854 and subsequent confinement in a sanatorium, where he died two years later. His legacy remains significant, as he was one of the most important Romantic composers and a highly regarded music critic, whose deeply personal music reflects the nature of Romanticism.
Schumann’s close collaboration with the David quartet, together with the valuable advice of his friend Mendelssohn Bartholdy, led the composer to make extensive changes to…
Schumann’s close collaboration with the David quartet, together with the valuable advice of his friend Mendelssohn Bartholdy, led the composer to make extensive changes to the Streichquartette op. 41 before publication in December 1842. The present edition is hence to be thought of as a critical Urtext edition; it offers in fact to those interested, an invaluable glimpse into Schumann’s creative process and his striving for the final form of his string quartets. All the deletions, changes, and the original phrasing were carefully worked out in detail, restored, and editorially identified in the music text. A detailed preface giving the geneses of the works, as well as pages of the autograph score in facsimile, complement the edition. The parts are of course so configured in the reliable Breitkopf quality that the quartets can also be performed today in the traditional form. The present edition was also used for the Leipzig String Quartet’s 2010 CD recording.
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