Canzonetta is originally for violin and piano and was first published in Prague in 1936. It is lyrical and engaging, with a contrasting folk-like middle section that adds drama and energy, with a supportive and rhythmic accompaniment providing colour and atmosphere.

In ternary form, there are few challenges for the good intermediate bassist with a strong and supportive accompaniment. Echoes of Dvořák and Czech folk music are ever present and this short piece would be ideal for any occasion or audience.

“Canzonetta is based on a simple lyrical melody in typical ABA form. The middle section makes use of easy double-stops and folk-like drone accompaniment. This piece would be ideal for the intermediate level player who is working in thumb position and learning treble clef.” (ISB)

Desire is originally for double bass (or violoncello) and piano and emphasises the lyrical and sonorous possibilities of the double bass throughout its solo register. The music is stylish and charming, with an old-fashioned elegance which was typical of the salon at the end of the 19th-century.

“Desire is somewhat more challenging technically than Canzonetta, but is also based on a simple, lyric melody. There are a few trills and moving semiquaver arpeggios, but nothing that a little practice couldn’t take care of. The folk character and catchy tune make practising these pieces a joy.” (ISB Magazine).

This edition includes piano accompaniments for both solo and orchestral tunings. There are two alternative endings for Desire and both are included.